Sparrow
Veteran
OK ... this is what's really going on here ...

16560315916 d5318ed306 b par Sparrow ... Stewart Mcbride, on ipernity
... the strongest eye-line, the red one runs your eye right round the frame, a good strong line and a nice shape ... unfortunately it contains little on the photos that is of interest, in fact it actively distracts you from the subject (the chap) and the sunlit buildings in the mid distance
... and unfortunately the features it contains the, blue-lines, all draw the eye out of the left of the frame due to the eye-line and the (gestalt) completion of the paving.
... the long focal length and the landscape format are also a bit of a problem, it contracts the perspective, causes a claustrophobic feel and cuts off an area that may have helped add interest, the green-rectangle. A portrait orientation may also have helped ... but as we all know things happen too quick for these 'should-have' suggestions folk trot out (a good reason to fire a few different versions off if one gets the chance)
... the photo is a bit sharp for me taste, but that's me, the photographer however should commended for not falling for the bokeh trap, we can at least see where the composition leads our eyes, and the colour is just right for that midday mediterranean feel
Things you could try; removing those bright lines that are across the road may alter the main eye-line somewhat, and making the shadows darker might help alter the eye-line to enclose the subject, and reduce the patterning of the paving.
PS ... sorry Frank, I just do honest, I get into enough trouble as it is

16560315916 d5318ed306 b par Sparrow ... Stewart Mcbride, on ipernity
... the strongest eye-line, the red one runs your eye right round the frame, a good strong line and a nice shape ... unfortunately it contains little on the photos that is of interest, in fact it actively distracts you from the subject (the chap) and the sunlit buildings in the mid distance
... and unfortunately the features it contains the, blue-lines, all draw the eye out of the left of the frame due to the eye-line and the (gestalt) completion of the paving.
... the long focal length and the landscape format are also a bit of a problem, it contracts the perspective, causes a claustrophobic feel and cuts off an area that may have helped add interest, the green-rectangle. A portrait orientation may also have helped ... but as we all know things happen too quick for these 'should-have' suggestions folk trot out (a good reason to fire a few different versions off if one gets the chance)
... the photo is a bit sharp for me taste, but that's me, the photographer however should commended for not falling for the bokeh trap, we can at least see where the composition leads our eyes, and the colour is just right for that midday mediterranean feel
Things you could try; removing those bright lines that are across the road may alter the main eye-line somewhat, and making the shadows darker might help alter the eye-line to enclose the subject, and reduce the patterning of the paving.
PS ... sorry Frank, I just do honest, I get into enough trouble as it is