peter_n
Veteran
^ Terrific!
Ashlandjet
Member
I shot this photo with my Yashica MAT 124G using expired Verichrome Pan 120 film.

Ashlandjet
Member
Warehouse in Maxwell California. Shot with TriX and my Yashica MAT 124G.

lam
Well-known
I wanted to see how bad a Pre-War Rolleiflex would flare; I got my answer. I actually really like the effect it gives.

Just how much.. by lamlux.net, on Flickr

Just how much.. by lamlux.net, on Flickr
ABrosig
Well-known
ABrosig
Well-known
Thomas78
Well-known
Rollop Automat 2.8 (with Enna Ennit 80mm f/2.8)
Ilford HP5+ in HC-110

Rollop Automat 2,8_07_Ilford HP5+ 400_010b von thomas.78 auf Flickr
Ilford HP5+ in HC-110

Rollop Automat 2,8_07_Ilford HP5+ 400_010b von thomas.78 auf Flickr
miragem5
Well-known
Mamiya C220 and 80mm f2.8
Mamiya C220 and 80mm f2.8

Noah surveys the view from the lookout on the Kaimai road by steveod2007, on Flickr
Mamiya C220 and 80mm f2.8

Noah surveys the view from the lookout on the Kaimai road by steveod2007, on Flickr
rah168
Film noob
peter_n
Veteran
Terrific!!
bojanfurst
Well-known
rah168, that is one awesome photograph. Excellent.
Thomas78
Well-known
Very nice, rah168 and Rick!
Another one from a Tessar Clone.
Rear engined car drivers help each other:

Rollop Automat 2,8_07_Ilford HP5+ 400_011b von thomas.78 auf Flickr
Rollop Automat 2.8 with Enna Ennit 80 mm f/2.8 and HP5+
Another one from a Tessar Clone.
Rear engined car drivers help each other:

Rollop Automat 2,8_07_Ilford HP5+ 400_011b von thomas.78 auf Flickr
Rollop Automat 2.8 with Enna Ennit 80 mm f/2.8 and HP5+
rah168
Film noob
Thanks for the kind words guys!
Rob
Rob
TheFlyingCamera
Well-known

Rolleiflex 2.8E, Planar, Kodak Portra 800, handheld.
Stained glass windows and altar of Sainte Chapelle, Paris.
Argenticien
Dave
Well done for what I recall as a difficult place to photograph. (I was there eight years ago.) I found it difficult to get the colored windows and any interior features well exposed at the same time under available light. And the place is too large to fill-flash with any equipment you could be carrying. (I think I might recall flash was banned anyway.) Plus it's hard to compose as the space is maddeningly tall but narrow. I wished I had the CV 12 mm lens or similar.
--Dave
--Dave
Rolleiflex 2.8E, Planar, Kodak Portra 800, handheld.
Stained glass windows and altar of Sainte Chapelle, Paris.
Thomas78
Well-known
Thank you for this impressive photo from Sainte Chapelle!
Yes, taking photos of a church window from the inside ist quite tricky:
This is my attempt from the cologne cathedral with slide film (Rollei Crossbird 200 - E6):

Rolleiflex 4x4_05_Rollei Crossbird 100_005 von thomas.78 auf Flickr
(Rolleiflex 4x4 with Xenar 60mm f/3.5)
Another one from my Rollop Automat 2.8 with Enna Ennit 80mm f/2.8 (HP5+):

Rollop Automat 2,8_07_Ilford HP5+ 400_003 von thomas.78 auf Flickr
Yes, taking photos of a church window from the inside ist quite tricky:
This is my attempt from the cologne cathedral with slide film (Rollei Crossbird 200 - E6):

Rolleiflex 4x4_05_Rollei Crossbird 100_005 von thomas.78 auf Flickr
(Rolleiflex 4x4 with Xenar 60mm f/3.5)
Another one from my Rollop Automat 2.8 with Enna Ennit 80mm f/2.8 (HP5+):

Rollop Automat 2,8_07_Ilford HP5+ 400_003 von thomas.78 auf Flickr
TheFlyingCamera
Well-known
One of the real challenges at Ste. Chapelle is the crowds in the room - it is hard to compose a shot that doesn't have converging verticals because of the ravening horde of tourists. Some of the good exposure I can attribute to the near-miracle qualities of Kodak Portra 800 - it has impressive latitude and flexibility - and would you have ever guessed from looking at the grain that it was an 800 speed film? I took a guess at how to expose it - I figured the windows would average out to a little above middle gray and so I took a spot-meter reading with my Sekonic 408 (which has a 5-degree spot meter) off a stained-glass segment and used that. I might have also done an incident reading near the altar to confirm my numbers, but I forget.
elmarman
Bail out the Brits too !
Here is a successful one on my 1962 Rolleicord Vb, 75mm f3.5 Xenar, 16-on kit, 2007 outdated Ilford XP2 Super 400 home-processed. I did a 20x16" print.

Signal to Go! by pentaxpete, on Flickr

Signal to Go! by pentaxpete, on Flickr
menos
Veteran
I am not sure if these are my favourites but these are from my first Rollei + back to developing myself again:

broken lock by teknopunk.com, on Flickr

portrait - businessman by teknopunk.com, on Flickr

broken lock by teknopunk.com, on Flickr

portrait - businessman by teknopunk.com, on Flickr
k__43
Registered Film User
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